A few examples of appraisal values for
ROLLING HILLS

• JACOB MAENTEL, WATERCOLOR FULL-LENGTH
  JACOB MAENTEL, WATERCOLOR FULL-LENGTH PORTRAITJacob Maentel (American 1763-1863) , watercolor full-length portrait of a woman wearing a blue dress, with rolling hills and trees in the background, in a red stained pine frame, 11 1/4'' x 7", frame - 14 1/2" x 10 1/4". Provenance: William Bunch Auctions, Collection of James and Cheryl Hale, April 20, 2004, lot 391; Jeffrey S. Evans & Associates, November 12, 2016, lot 295. Competitive in-house shipping is available for this lot. Condition: Very minor foxing, minor abrasions to frame.
• AMERICAN OIL ON WOOD PANEL PRIMITIVE
  AMERICAN OIL ON WOOD PANEL PRIMITIVE LANDSCAPEAmerican oil on wood panel primitive landscape, 19th c. , depicting a small town with rolling hills and a locomotive in background, 19 1/2" x 39 1/2". Provenance: An Ohio Collection. NO in-house shipping for this lot. Condition: No separate frame, one piece, on wood panel. Good condition with minor wear. Tight age crack.
• ORRIN A. WHITE (1883-1969), THE ROLLING
  ORRIN A. WHITE (1883-1969), THE ROLLING HILLS OF CALIFORNIA, OIL ON TIN, 16.25" H X 20.25" WOrrin A. White, (1883-1969) The rolling hills of California, Oil on tin Signed lower right: Orrin A. White Oil on tin Dimensions: 16.25" H x 20.25" W Provenance: The Collection of Frederick W. Davis Private Collection, Northern California, by descent from the above
• HUBERT DAVIS, OIL ON CANVASHubert Davis
  HUBERT DAVIS, OIL ON CANVASHubert Davis (American 1902-1981), oil on canvas landscape, with horses in pasture and rolling hills in background, signed lower right, frame 37" x 42 1/2". NO in-house shipping for this lot. Condition: Good condition. No apparent damages or repairs.
• OIL ON CANVAS TOWNSCAPE, 19TH C.Oil
  OIL ON CANVAS TOWNSCAPE, 19TH C.Oil on canvas townscape, 19th c. , with a steam train, various horse drawn wagons and townsfolk, with rolling hills in background, 24" x 34 1/2". Provenance: Howard and Jean Lipman collection; Property of the Fenimore Art Museum sold to benefit the Acquistions Fund. NO in-house shipping for this lot. Condition: Craquelure. A couple areas of flaking in sky with old touch-up. Small repair to right edge. A few other small touch-ups.
• MARTINSBURG OIL ON CANVAS FAMILY TREEMartinsburg,
  MARTINSBURG OIL ON CANVAS FAMILY TREEMartinsburg, Blair County, Pennsylvania, oil on canvas family tree, dated November 1899 , for Daniel S. Brown and Susannah Ling married March 3, 1848 , with homestead, mill with waterwheel, and rolling hills in the background, 36" x 24". NO in-house shipping for this lot. Condition: Unframed.
• GUILLERMO RODE "PAISAJE" LANDSCAPE OIL
  GUILLERMO RODE "PAISAJE" LANDSCAPE OIL ON CANVAS Guillermo Rode (Mexican, 20th century) "Paisaje," oil on canvas, 1976, depicting landscape with rolling hills and farmland. Image: 17.75" H x 23.75" W; frame: 25.25" H x 31.25" W x 1.5" D.
• A. C. GOODWIN 'ROLLING HILLS, WESTON,
  A. C. GOODWIN 'ROLLING HILLS, WESTON, VT.' O/C Arthur Clifton Goodwin (American 1864-1929), 'Rolling Hills, Weston, VT;' oil on canvas, depicting a tree on a hillside overlooking rolling hills with various scattered structures, signed to lower right, signed en verso, framed. Provenance: Skinner Auctions, American & European Paintings, November 18, 2005, Lot 265. Approximate dimensions: canvas h. 30", w. 40"; frame h. 35.75", w. 45.75", d. 2.25"
• SILVER. GEORGIAN PERIOD ENGLISH SILVER
  SILVER. GEORGIAN PERIOD ENGLISH SILVER HUNTSMAN Tankard. An exceptional Georgian period English silver footed tankard executed in the repousse style. This tankard features a delightful hunt scene depicting a huntsman and a pair of dogs amongst the rolling hills under a blank cartouche. With a city stamp of London, maker's mark of William Shaw II & William Priest, and a date letter of 1759. Total approx. weight is 5.90 troy oz (gross). from a Manhattan, NY estate. Dimensions tankard measures approx. 3.75" in height. Condition: Good, with light surface scratches and minor dings/dents.
• SCOTT L. CHRISTENSEN (AMERICAN, B. 1962)Scott
  SCOTT L. CHRISTENSEN (AMERICAN, B. 1962)Scott L. Christensen (American, b. 1962), "Rolling Hills", oil on canvas board, signed lower center and en verso, 12 in. x 16 in., framed, overall 17 7/8 in. x 21 7/8 in. x 1 3/8 in.
• ALEXIS MATTHEW PODCHERNIKOFF (RUSSIAN/CALIFORNIA)Alexis
  ALEXIS MATTHEW PODCHERNIKOFF (RUSSIAN/CALIFORNIA)Alexis Matthew Podchernikoff (Russian/California, 1886-1933), "Trees Along the Rolling Hills", 1913, oil on board, signed and dated lower left, 6 3/4 in. x 13 3/4 in., framed, overall 10 5/8 in. x 17 1/2 in. x 2 1/4 in. Condition: Overall fair condition.
• PAUL ZIMMERMAN (CONNECTICUT, 1921-2007),
  PAUL ZIMMERMAN (CONNECTICUT, 1921-2007), "CONDITION LATE AFTERNOON", OIL ON CANVAS, HAZY ABSTRACT LANDSCAPE WITH TREES AND ROLLING HILLS, RED AND GREY SKY, SIGNED LOWER RIGHT, TITLED ON CANVAS VERSO, FRAMED, WEAR CONS...Paul Zimmerman (Connecticut, 1921-2007), "Condition Late Afternoon", oil on canvas, hazy abstract landscape with trees and rolling hills, red and grey sky, signed lower right, titled on canvas verso, framed, wear consistent with age, ss: 25 3/4" x 48".
• John Sharman (1939-.) Australia, The
  John Sharman (1939-.) Australia, The Rolling Hills of Robertson, oil on board, signed lower right, approx 59.5cm x 89cm (excluding frame) and approx 80cm x 109cm (including frame)
• A CHINESE GRISAILLE DECORATED PORCELAIN
  A CHINESE GRISAILLE DECORATED PORCELAIN STAND A Chinese grisaille decorated porcelain stand, Yongzheng mark, the top panel painted with a herd boy on a buffalo and a fisherman rowing a boat in a lake toward a reclusive house on shore, with rolling hills in the distance, the supports, and frames molded and glazed to simulate spotted bamboo, the openwork aprons further decorated with four large lingzhi heads, the underside covered in turquoise green enamel and centered with a carved Yongzheng six-character mark in seal script covered in gold (staining and soiling, surface wear to top panel, imperfection to glaze applied to lingzhi heads), 3.25 x 5.25 x 1.5".
• PAUL BOUGH TRAVIS (AMERICAN, 1891-1975)
  PAUL BOUGH TRAVIS (AMERICAN, 1891-1975) AFRICAN WATERHO...Paul Bough Travis (American, 1891-1975) African Waterhole, 1956 Watercolor on paper Signed and dated lower edge 19 in. h. x 25 in. w., paper 22 in. h. x 28 in. w., as matted Paul Travis, among the most predictive, sensitive and talented artists of the Cleveland School was born in Wellsville, Ohio near the border of Pennsylvania. Paul Travis became a painter, lithographer, etcher, and teacher, living in Cleveland Heights, Ohio. His name is closely associated with the watercolor tradition of Northeast Ohio. He graduated from the Cleveland School of Art where he was a student of Henry Keller, the renowned tonalist painter. Travis studied there for five years where he became a protégé of Keller’s, and also encountered Charles Burchfield and Frank Wilcox, all of whom later became acknowledged members of the Cleveland School. Travis remained friends with Burchfield and Wilcox for the rest of his life. Travis served in the Army in World War I, and while serving, he completed a prolific body of war related paintings and drawings. He spent most of the remainder of the war in Le Mans, but also traveled widely throughout France, painting and sketching. After the war he was appointed as an art teacher at the American Forces University of Beaune. In 1920, he returned to Ohio to teach at the Cleveland School, renamed the Cleveland Institute of Art in 1940. In addition he also taught at Western Reserve University beginning in 1956. In 1928, at the age of 36, Travis used a sabbatical from teaching to take a much celebrated eight-month trip to Africa. Travis’s trip was sponsored by a number of Cleveland-area organizations, including The Gilpin Players of Karamu House, the African Art Sponsors, the Cleveland Museum of Natural History, and the Cleveland Museum of Art. Travis traveled roughly the same path as famed British explorer Henry Morton Stanley, from Cape Town, South Africa, to Cairo, Egypt. This trip motivated Travis to prolific production. Along the way, Travis sketched, took video and photographs, and collected artifacts. The artwork and artifacts Travis amassed during his 1928 trip through Africa went into the collections of the Cleveland Museum of Art, the Cleveland Museum of Natural History, and Karamu House. The Cleveland Museum of Art received works Travis collected from the Mangbetu people while in the northeastern part of Congo, and as of June 2010, the museum owns 71 pieces of art created by Travis himself. Some of Travis’s diary entries, letters, and film footage have been stored in the Smithsonian‘s Archives of American Art. By the time the Cleveland Museum of Art held its 52nd May Show in 1971, Travis had exhibited and won regularly in all 52 shows. Dan Tranberg of the Cleveland Plain Dealer called Travis’ work “ some of the most historically significant art this city has ever produced.” In 2001 the Cleveland Artist’s Foundation published a retrospective of Travis’ work. Travis’ work is unique and important. Unlike many American artists of the period who painted their regional rolling hills and local city scenes Travis’ art often expressed the most important emotions and concerns of the 20th century; global colonization and exploitation, racism and inhumanity, the bomb and global apocalypse. Travis’ sensitivity in much of his subject matter underscores the predictive nature of some artists. In many compositions Travis clearly raised flags about these issues that would later consume the entire world. Memberships included the American Society for Aesthetics; Cleveland Society for Aesthetics, which in 1946 he served as President; Cleveland Museum of Modern Art; and the Archaeological Institute of America. Some early exhibition venues included The Cleveland Museum of Art, 1920-1958; The Pennsylvania Academy of the Fine Arts; The Brooklyn Museum; The Museum of Modern Art; The Art Institute of Chicago; Golden Gate Exposition, 1939; Carnegie Institute; Corcoran Gallery Biennials; Pasadena Art Institute, 1946; Butler Art Institute, 1936-1958; Ohio Watercolor Society, and Cleveland Art Association.
• NIPPON PORCELAIN DECORATIVE PLATEPorcelain
  NIPPON PORCELAIN DECORATIVE PLATEPorcelain decorative plate with a country scene of rolling hills. A band of shields wraps the rim. Nippon backstamp Issued: 19th c. Dimensions: 11" dia. Manufacturer: Nippon Country of Origin: Japan Condition: Good
• Emmy Elphick (20th Century British)
  Emmy Elphick (20th Century British) - Three oil paintings - French scenes - \'\'Morning Sun\'\' \'\'Landscape Provence\'\' and \'\'Rolling Hills\'\' boards various sizes all signed in modern painted frames
• GODFREY TONKS (ENGLISH B. 1948) PASTEL
  GODFREY TONKS (ENGLISH B. 1948) PASTEL ON PAPERDESCRIPTION: A large pastel on paper titled:"San Gimignano" by Godfrey Tonks. Features a vibrantly hued landscape scene of rolling hills amongst wine pastures and fields and blossoming flowers. Finished with a scenic cityscape backdrop. Signed:"Tonks" on the bottom left corner. CIRCA: 20th Ct. ORIGIN: England DIMENSIONS:(With Frame) H: 44" L:55.65" (Without Frame): H:35" L:47" CONDITION: Great condition, with exception to breaking of the glass cover of the frame, no damage to the artwork itself. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission."
• 19TH CENTURY CONTINENTAL LANDSCAPE OIL19th
  19TH CENTURY CONTINENTAL LANDSCAPE OIL19th century oil on canvas landscape depicting a woman on horseback with two males and dog in the foreground, cattle watering at a stream with two workers in the mid-ground and rolling hills with manor home in the background. Unsigned. Housed in a gilt wood frame. Sight - 22 1/2" H x 28 1/4" W. Framed - 27" H x 33 1/4" W. European, possibly English. Condition: Some scattered abrasions/losses to frame. Overall cracquelure to canvas. Light surface grime.
• SOUTHERN LANDSCAPE, POSSIBLY SALEM,
  SOUTHERN LANDSCAPE, POSSIBLY SALEM, NC SCHOOLSouthern panoramic landscape, oil on board, possibly Salem, NC school. Depicts a farmstead amid rolling hills, with a farmer driving a team of oxen over a small bridge, with a split rail fence in the foreground; a two story painted house and barns, detailed figures of children playing among the trees, and grazing cows can be seen in the middle and background. White painted mat and carved giltwood frame. Image - 13 1/2" H x ~23" W, Sight - 17 3/8" H x 26 1/4" W, Framed - 21 3/8" H x 30 1/4" W. Early to Mid 19th century. Condition: Moderate craquelure and lifting in the sky and matte region, more significant on the left hand side of the painting, along with the left and right hand portions of the landscape's sky. Canvas laid down on contemporary board. Overall general wear and minor losses to carved giltwood frame.
• MAURICE BRAUN LANDSCAPEMaurice Braun
  MAURICE BRAUN LANDSCAPEMaurice Braun (California/New York, 1877-1941) oil on canvas landscape of rolling hills with a stream running through a meadow, trees in the foreground with leaves changing color. Signed lower right, "Maurice Braun". Retains the original giltwood carved frame. 26 1/2" x 21 1/4" sight, 21 1/2" H x 27" W stretcher, 36 1/4" x 31" framed. Biography (Courtesy of AskArt) : Maurice Braun (1877-1941) is known as an important American/California Impressionist artist. He was born in the small town of Nagy-Bittse, Hungary. His family came to live in New York City when he was preschool age. Braun's formal art education was at the National Academy of Design in New York City, followed by a year of study with the distinguished New York artist and teacher, William Merritt Chase. Braun traveled in Europe for a year in 1902, visiting museums primarily in Eastern Europe. On his return to New York, Braun painted there for several years. He became known as a portrait painter, although he also painted landscapes in New England. In 1909 he left New York to establish his home in San Diego. He would make his home in San Diego until his death in 1941. Condition: Uncleaned with general grime, old tear with paint loss in middle sky area above a tree branch, approx. 1" length x 1/2" height.
• RENEE THEOBALD, O/C LANDSCAPE WITH HOUSESRenee
  RENEE THEOBALD, O/C LANDSCAPE WITH HOUSESRenee Theobald (French, b. 1926), oil on canvas landscape, titled en verso "Campagne," depicting a tiny village with houses, all having red roofs, set among rolling hills. Signed lower left. Additional notation "Theobald" with Paris address written on stretcher. Molded giltwood frame. Sight: 26" H x 36" W. Framed: 31" H x 41-3/4" W. Provenance: the estate of Lucille Svitzer Brady (Mrs. Frank B. Brady), formerly of Annapolis, Maryland. Condition: Some rippling to canvas at lower right and upper left, light grime and craquelure, overall very good condition.
• KENTUCKY, ROBERT BURNS WILSON WATERCOLORRobert
  KENTUCKY, ROBERT BURNS WILSON WATERCOLORRobert Burns Wilson (American, primarily Kentucky, 1851 - 1916) landscape watercolor depicting a springtime meadow with stream foreground and rolling hills in the background, signed lower right: Robert Burns Wilson. Housed in a period original gilt and painted wooden print. Sight - 10 5/8" h x 21" W. Framed - 14 1/2" H x 25" W. Artist biography (courtesy Williams American Art Galleries): Robert Burns Wilson may be best known for his patriotic poem, Remember The Maine, which became the battle song for the United States during the Spanish American War. But he was primarily a painter. Wilson was born around 1851 in Parker, Pennsylvania. Orphaned at a young age, he spent his childhood in Virginia and West Virginia. In 1869, he left home with the desire to be an artist. He spent about a year traveling with a circus before settling briefly in Pittsburgh, Pennsylvania to study art. For a short time, he maintained a studio with John White Alexander, a prominent American artist known for his work in the Art Nouveau style. In 1871, he moved to Union City, Kentucky, but a few years later, in 1875, the possibility of portrait commissions lured him to Frankfort, Kentucky where he lived for approximately thirty years. In 1904, he moved to New York City. Wilson preferred to work in watercolor, oil, pastel and charcoal. He is best known for his depictions of animals and, beginning in the early 1880s, his landscapes. Provenance - Lexington, Kentucky area collection. (Higher-resolution photos are available at www.caseantiques.com) Condition: Light scattered foxing to sky area. Some abrasions/wear to frame.
• PANORAMIC OIL ON CANVAS HORSE PROCESSIONPanoramic
  PANORAMIC OIL ON CANVAS HORSE PROCESSIONPanoramic oil on canvas painting of a procession of horses, some with riders, others being led. The figures are depicted in a slight round arch, lending to the optical illusion of capturing the entire scene. Trees, rolling hills, and onlookers in the background, along with a domed shaped building in the left and the rising sun. Housed in a bronze painted wood frame. Sight - 19 1/2" H x 39 1/4" W. Framed - 24" H x 44" W. Mid 19th century. (Higher-resolution photos are available at www.caseantiques.com) Condition: Overall light craquelure, multiple old tape repairs to canvas en verso. Later possible painted addition of horse. Please examine photos and blacklight photos.
• EDWARD CARLSON LANDSCAPE W/ HAYSTACKSEdward
  EDWARD CARLSON LANDSCAPE W/ HAYSTACKSEdward Carlson (b. 1883, active Chicago 1920s-30s) oil on board autumn landscape depicting haystacks in the foreground and rolling hills in the background flanked by trees, signed lower right "Edward Carlson" (signature partially obscured by frame edge). Green painted molded frame. 17" x 24" sight, 24" x 29 1/2" framed. Early 20th century. (Higher-resolution photos are available at www.caseantiques.com) Condition: Light scratch and a couple of possible tiny flakes at left edge (in trees), some minor wear and losses to frame. Overall good condition.
• CHARLES GRIFFIN FARR O/B LANDSCAPE,
  CHARLES GRIFFIN FARR O/B LANDSCAPE, POSSIBLY EAST TNCharles Griffin Farr (California/Tennessee/Alabama, 1908-1997) oil on board rural landscape painting depicting rolling hills with barns and farm houses along a road, under a blue sky. Unsigned. Housed in a contemporary metallic frame. Sight: 11 1/4" H x 17 1/4" W. Framed: 13" H x 19 1/4" W. Note: The consigner relayed memories of his uncle, Charles Griffin Farr, visiting East Tennessee and paintings scenes like this one in rural areas of town. Biography: Charles Griffin Farr was a painter in the American Realist tradition. He was born in Birmingham, Alabama, and studied in New York City and at the Academie Americaine in Paris, France. He spent a significant part of his youth in Knoxville, TN. A graduate of Central High School, Farr returned to Knoxville in 1928 after his time in New York and abroad exhibiting works in the Melrose Art Center, which had notably featured works by other Knoxville artists including Charles Krutch and Lloyd Branson in the late 1920's. A young artist in the late 1930s, Farr took part in the Works Progress Administration programs (WPA) and trained as a restorer of ancient pottery at the Metropolitan Museum of Art. Farr also taught at the San Francisco Art Institute for nearly a decade and remained there until his death. Though he spent the majority of his career on the West Coast, Farr often returned to Knoxville to paint the familiar area. Many of these works remain housed in the Knoxville Museum of Art's permanent collection. Farr received the Award in Painting from the American Academy and Institute of Arts & Letters, New York, NY in 1987. (adapted from https://art.ucsc.edu/sesnon/farr-collection, Askart, the Knoxville History Project and Knoxville Museum of Art). The Collection of Thomas Davis, Knoxville, Tennessee, executor for the estate of his uncle, artist Charles Griffin Farr. Condition: Overall good condition with surface grime and one area of errant material in upper left corner. Some scattered flaking and surface scratches. Frame in overall good condition with light wear.
• FRANCESCO SPICUZZA O/B FARM LANDSCAPE
  FRANCESCO SPICUZZA O/B FARM LANDSCAPE PAINTINGFrancesco J. Spicuzza (Wisconsin, 1883-1962) impressionistic oil on board landscape painting depicting a rural farm scene with rolling hills, a barn, and grazing cattle under a cloudy blue sky. Signed "Spicuzza" lower right. Housed in a contemporary giltwood frame. Sight: 23 5/8" H x 29 1/2" W. Framed: 27 3/4" H x 33 3/4" W. The Estate of Carl Klein, Brentwood, Tennessee. Condition: Overall very good condition. Frame with minor abrasions and areas of loss.
• PIERRE ERNEST BALLUE O/C LANDSCAPE PAINTINGPierre
  PIERRE ERNEST BALLUE O/C LANDSCAPE PAINTINGPierre Ernest Ballue (France, 1855-1928) oil on canvas landscape painting depicting a sunlit path flanked by a hill and flowering trees leading to a distant, lakeside village. A dense tree line rises to the right with rolling hills beneath a cloud-filled blue sky in the background. Signed "Pierre Ballue" lower right. Housed in a molded giltwood frame with foliate accents and bellflower and diapered center ornaments and flourish corners. Sight: 14 1/2" H x 21" W. Framed: 23 1/8" H x 29 7/8" W. Condition: Overall very good condition with minute scattered craquelure and single errant white paint mark lower right, measuring 1" L. Frame with minor age shrinkage to wood and slight wear to corners.
• 2 SIGNED LATIN AMERICAN SCHOOL O/C LANDSCAPES1st
  2 SIGNED LATIN AMERICAN SCHOOL O/C LANDSCAPES1st item: Possibly Argentinian School Barbizon-style landscape painting depicting an open field beneath an overhanging branch with a small structure and tree to the left, a low wall and tree line in the mid-ground, and rolling hills in the background under a hazy blue sky. Illegibly signed lower right. Housed in a molded wood frame with C-scroll corner and center ornamentation. Sight: 27 3/4" H x 36 7/8" W. Framed: 34" H x 42 7/8" W. 2nd item: Impressionist style painting depicting a Mexican or South American village with a woman sitting at well while a cow drinks beside her, and white stucco architecture in the background. Signed "-Rodrigue-" lower right. Housed in a contemporary wood frame with a linen liner. Sight: 23 3/4" H x 35 1/2" W. Framed: 31" H x 43 1/4" W. The estate of Dr. Thomas Bechtel, Memphis, Tennessee. Condition: Both items in overall good condition. 1st item: Slight warping to canvas. Frame with scattered losses and splitting to wood. 2nd item: Light grime and craquelure.
• 2 FRAMED ENGLISH SILK NEEDLEWORKSPair
  2 FRAMED ENGLISH SILK NEEDLEWORKSPair (2) of English needlework and watercolor on silk portraits depicting young women seated at the bases of trees, including one (1) portraying a barefoot woman a in a red and white shawl crafting a flower wreath from the surrounding foliage with a body of water and rolling hills to the left and one (1) depicting a sleeping woman resting her head upon one hand and holding a small dog by a leash in the other with trees and a tall mountain to the right in the background. Both items with hand-painted faces, hands, and backgrounds. Paper tags affixed to both hanging wires. Both housed in an oval eglomise glass matte with rosettes at each corner and giltwood frame. Sights: 11 1/2" H x 9 1/2" W. Framed: 18" H x 16" W. Early 19th century. Condition: Both items in overall good condition with slight discoloration of silk. Frames with scattered surface wear.
• STELLA EVANS OIL ON CANVAS LANDSCAPE
  STELLA EVANS OIL ON CANVAS LANDSCAPE PAINTINGStella Evans (American, 20th Century) oil on canvas impressionist mountain landscape depicting a valley with trees foreground and rolling hills and mountains background, all beneath a cloud filled blue sky. Signed S.J. Evans, lower right. Housed in a painted wood frame with linen liner. Sight: 15 1/2" H x 19 1/4" W. Framed: 24 3/4" H x 28 1/2" W. The Estate of Carl Klein, Brentwood, Tennessee. Condition: Overall good condition with light craquelure.
• MORLEY HICKS O/B PAINTING, FIGURES IN
  MORLEY HICKS O/B PAINTING, FIGURES IN A LANDSCAPE WITH ...Morley Hicks (Ontario/Wisconsin, 1877-1959) impressionistic oil on board painting depicting trees in the foreground with figures walking along a path in front of an open field mid-ground, and two small structures amongst rolling hills beneath a sliver of blue sky backgound. Signed "Morley Hicks" lower right. Housed in a carved giltwood frame. Sight: 13 3/4" H x 21 1/2" W. Framed: 20 1/2" H x 28 1/4" W. The Estate of Carl Klein, Brentwood, Tennessee. Condition: Overall very good condition.
• TOMMY MACAIONE O/B POST-IMPRESSIONIST
  TOMMY MACAIONE O/B POST-IMPRESSIONIST LANDSCAPE PAINTIN...Tommy Silvestre Macaione (American, 1907-1992) oil on board post-impressionist landscape painting rendered in an impasto technique depicting a field of wildflowers with a vase containing white flowers in the lower right foreground and rolling hills and treelines in the background beneath a multicolored sky. Signed and dated in red "(copyright) Tom. S. Macaione. 66." lower center. Housed in a wooden frame with canvas liner and gilt fillet and sight edge. Sight: 19 1/2" H x 33 1/2" W. Framed: 25 1/4" H x 39 1/4" W. Biography: Thomas Sivestre Macaione was born in New London, Connecticut to a father of Greek descent and an Italian mother before their separation and Macaione's subsequent move to Sicily with his mother. There he was first exposed to the old masters and his passion for art. Following his return to New London in 1922, Macaione studied at the Rhode Island School of Design and was involved with the Art Students League in New York. During World War II, he served in the U.S. Army Signal Corps and worked as a barber (a tradeskill he utilized to support his art throughout his life). During a hitchhiking trek bound for San Francisco, Macaione stopped in Santa Fe, New Mexico, where he abandoned the remainder of his trip and settled. Here, he would develop a reputation for plein-air painting throughout the town, a development not entirely welcomed by the community. Though an active member of Santa Fe's midcentury arts community, Macaione lived his life as an impoverished outsider, often using still-wet paintings as payment for services rendered, such as the veterinarian's bill for his extensive and constantly growing menagerie of pets. Macaione became an institution in the city, even posthumously having a city holiday dedicated to him, November 13 (his birthday). His work can be found in numerous public and private Santa Fe collections, including City Hall. (adapted from "Unforgettable El Diferente: Tommy Macaione, Santa Fe's patron saint of the arts" by Loren Bienvenu in the November 8, 2013 ed. of "Pasatiempo" published by THE NEW MEXICAN) The Collection of Richard H. and Kathleen L. Hulan. Condition: Minute surface grime otherwise overall very good condition.
• THOMAS SCOTT O/C PAINTING OF A HORSE
  THOMAS SCOTT O/C PAINTING OF A HORSE IN LANDSCAPEThomas James Scott (American/Pennsylvania/Kentucky, 1824-1888) oil on canvas portrait painting of a brown horse in profile standing in a landscape with trees and rolling hills in the background. Signed "T.J. Scott" lower left. Housed in a stained wood frame with gadroon-molded edge. Sight: 17 1/2" H x 23 1/2" W. Framed: 21" H x 27" W. Biography: Thomas J. Scott had the good fortune to attend Central High School in Philadelphia, where his Graphics Professor was the noted portraitist Rembrandt Peale. Scott graduated with a degree in Pharmacy in 1846 but moved to Kentucky by 1856, where he studied with Edward Troye, one of the first American painters to specialize in animal subjects. Scott painted horses for the most important early turfmen in Kentucky including Dr. Elisha Warfield, John M. Clay, James Grinstead, and Major B.G. Thomas, as well as for clients around the United States. The Civil War disrupted Scott's animal portrait commissions. During the war he served as a Union Hospital Steward with the 21st Kentucky Infantry Regiment. After the war ended, he moved to Pennsylvania and became a writer and correspondent for the sporting journal, "Turf, Field, and Farm". He eventually returned to Kentucky where he died in 1888. Scott is buried in Lexington, Kentucky at the Military Cemetery. (Sources: AskArt: The Artists' Bluebook and the Smithsonian Museum of American Art). Condition: Eight wax-patched holes visible en verso with associated retouching in the upper right quadrant, center, and lower left corner, all visible under UV light inspection. Craquelure throughout with associated areas of flaking and flea bite losses. Indention on the right side along the stretcher. Flaking along the right edge. Possible areas where work has been heavily cleaned.
• FRANCESCO SPICUZZA O/B IMPRESSIONIST
  FRANCESCO SPICUZZA O/B IMPRESSIONIST PAINTING, RURAL FA...Francesco J. Spicuzza (American/Wisconsin, 1883-1962) impressionistic oil on board landscape painting depicting a rural farm scene having a large tree with verdant foliage in the foreground, a path leading to a river in the mid-ground, and rolling hills with barns visible in the background. Signed "Spicuzza" in red lower right. Housed in a contemporary giltwood frame with classical motifs. Sight: 9 1/4" x 13 1/4" W. Framed: 15 3/4" H x 19 1/2" W. Condition: Overall very good condition.
• 2 WPA ERA REGIONALIST PRINTS INCL. JAMES
  2 WPA ERA REGIONALIST PRINTS INCL. JAMES E ALLEN LITHOG...Two (2) Works Progress Administration-era regionalist prints. 1st item: James Edmund Allen (American/New York/Louisiana, 1894-1964) lithograph on paper titled "Heavy Plowing" depicting two horses and a figure plowing fields with a background of rolling hills with rural architecture. Pencil signed "James E Allen" lower right. Housed and matted in a balck frame under glass. Sheet: 8" H x 12" W. Sight: 9 3/4" H x 13 3/4" W. Framed: 17 1/4" H x 21 1/4" W. 2nd item: Fred Nagler (American/New York/Texas, 1891-1983) copperplate etching on paper depicting an interior scene of a woman playing the piano, visible through a doorway, with another figure seated outside the room. Pencil signed "Fred Nagler" lower right. Housed and matted in a black frame under glass. Sheet: 7 1/2" H x 5 3/4" W. Sight: 8 1/4" H x 6 1/4" W. Framed: 13" H x 9 3/4" W. Condition: 1st item: Moderate foxing spots and toning throughout, especially along margins. Slight buckling to paper. 2nd item: Slight toning, otherwise in very good condition. Neither work examined outside of frame.